Faculty & Graduate Student Publications

feminism for the americas

Feminism for the Americas

Katherine M. Marino

This book chronicles the dawn of the global movement for women’s rights in the first decades of the twentieth century. The founding mothers of this movement were not based primarily in the United States, however, or in Europe. Instead, Katherine M. Marino introduces readers to a cast of remarkable Latin American and Caribbean women whose deep friendships and intense rivalries forged global feminism out of an era of imperialism, racism, and fascism. Six dynamic activists form the heart of this story: from Brazil, Bertha Lutz; from Cuba, Ofelia Domíngez Navarro; from Uruguay, Paulina Luisi; from Panama, Clara González; from Chile, Marta Vergara; and from the United States, Doris Stevens. This Pan-American network drove a transnational movement that advocated women’s suffrage, equal pay for equal work, maternity rights, and broader self-determination. Their painstaking efforts led to the enshrinement of women’s rights in the United Nations Charter and the development of a framework for international human rights. But their work also revealed deep divides, with Latin American activists overcoming U.S. presumptions to feminist superiority. As Marino shows, these early fractures continue to influence divisions among today’s activists along class, racial, and national lines.

Marino’s multinational and multilingual research yields a new narrative for the creation of global feminism. The leading women introduced here were forerunners in understanding the power relations at the heart of international affairs. Their drive to enshrine fundamental rights for women, children, and all people of the world stands as a testament to what can be accomplished when global thinking meets local action.

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the contested murder of latasha harlins

The Contested Murder of Latasha Harlins

Brenda Stevenson

Helicopters patrolled low over the city, filming blocks of burning cars and buildings, mobs breaking into storefronts, and the vicious beating of truck driver Reginald Denny. For a week in April 1992, Los Angeles transformed into a cityscape of rage, purportedly due to the exoneration of four policemen who had beaten Rodney King. It should be no surprise that such intense anger erupted from something deeper than a single incident.

In The Contested Murder of Latasha Harlins, Brenda Stevenson tells the dramatic story of an earlier trial, a turning point on the road to the 1992 riot. On March 16, 1991, fifteen-year-old Latasha Harlins, an African American who lived locally, entered the Empire Liquor Market at 9172 South Figueroa Street in South Central Los Angeles. Behind the counter was a Korean woman named Soon Ja Du. Latasha walked to the refrigerator cases in the back, took a bottle of orange juice, put it in her backpack, and approached the cash register with two dollar bills in her hand-the price of the juice. Moments later she was face-down on the floor with a bullet hole in the back of her head, shot dead by Du. Joyce Karlin, a Jewish Superior Court judge appointed by Republican Governor Pete Wilson, presided over the resulting manslaughter trial. A jury convicted Du, but Karlin sentenced her only to probation, community service, and a $500 fine. The author meticulously reconstructs these events and their aftermath, showing how they set the stage for the explosion in 1992.

An accomplished historian at UCLA, Stevenson explores the lives of each of these three women-Harlins, Du, and Karlin-and their very different worlds in rich detail. Through the three women, she not only reveals the human reality and social repercussions of this triangular collision, she also provides a deep history of immigration, ethnicity, and gender in modern America. Massively researched, deftly written, The Contested Murder of Latasha Harlins will reshape our understanding of race, ethnicity, gender, and-above all-justice in modern America.

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city girls

City Girls – The Nisei Social World in Los Angeles, 1920-1950

Valerie Matsumoto

Even before wartime incarceration, Japanese Americans largely lived in separate cultural communities from their West Coast neighbors. Although the Nisei children, the American-born second generation, were U.S. citizens and were integrated in public schools, they were socially isolated in many ways from their peers. These young women found rapport in ethnocultural youth organizations, a forgotten world of female friendship and camaraderie that Valerie J. Matsumoto recovers in this book.

Through extensive networks of social clubs, young Japanese American women competed in sports, socialized with young men, and forged enduring friendships. During the 1920s and 1930s, Nisei girls’ organizations flourished in Los Angeles, then home to the largest Japanese American population. In clubs with names such as the Junior Misses and Tartanettes, girls gained leadership training, took part in community service, found jobs, and enjoyed beach outings and parties. Often sponsored by the YWCA, Buddhist temples, and Christian churches, these groups served as a bulwark against racial discrimination, offering a welcoming space that helped young women navigate between parental expectations and the lure of popular culture. Indeed, their dances, meetings, and athletic events filled the social calendars in the ethnic press. As cultural mediators and ethnic representatives, these urban teenagers bridged the cultures of the Japanese American community and mainstream society, whether introducing new foods, holidays, and rituals into the home or dancing in kimono at civic events. Some expressed themselves as poets, writers, and journalists and took leading roles in the development of a Nisei literary network. Women’s organizing skills and work would prove critical to the support of their families during World War II incarceration and community rebuilding in the difficult years of resettlement.

By bringing to life a dynamic and long-lasting world of friendship circles and clubs, City Girls highlights the ways in which urban Nisei daughters claimed modern femininity, an American identity, and public space from the Jazz Age through the postwar era.